Aufgegabelt devoured, vomited. aufgerappelt Again, persevered, from the bottom to the top and over again. Detached, burnt, returned and free.
Adel Tawil has a lot experience in the wonderful world of pop music. He has eaten dirt and caviar. He was devastated and Ich + Ich very top. He was flattered, praised, scorched and passed. Was rejected, had to re-do the very back and then all but surpassed. It was folded, thrown away and are left behind, excavated and again nursed until he beamed, more beautiful than ever before. Adel Tawil has a life that actually fOr two ranges and he is ready to talk about it.
As the face and voice of the great pop duo Ich + Ich He became a star and has experienced the big moments of a show career. As a former member of the boy band The Boyz, he lived for a short fame the darkest moments, has to offer a career as a musician. Moments of defeat if the ambitious targets are not met, burst dreams and suddenly no one, absolutely no one wants to know something about a. The moments when no one knows you more and the old pats on touching avert embarrassment: "Oh God, this is not the of The Boyz? - Quick off. "Only then later angedackelt to come back when with Ich + Ich runs and one again is suddenly at the center. Life as a roller coaster ride.
Adel Tawil wanted to sing. When he in Berlin Youth House Zille went for the first time in the Cypher, when he in Old Fire Station for the "B-Town Flavour Sampler" standing in front of the recording device, although rap was the big thing, but actually was already clear that nobility actually have to sing. It was his voice that got stuck - the sounds, the sound. Employed were there these melodies in his head, who wanted to get out, which had to get out, every time he reached for the microphone. But what to do when all the other boys were in the rap movie and freestyle rhymes kicked - what to do with such a talent? Who needed a singer in the world of youth centers? The girls found him indeed great, but how could you get with such a capability appearances or even make money? Adel Tawil was indeed admired for his voice, but just as often ridiculed because if everything revolves around Beats and Rhymes, you bad as a singer cards. The 90s were real only sellout in Rap and singer. Adel Tawil knew nothing of the world of pop music, which is always looking for great voices out until he was asked one day by a talent contest, if he would join a boy band project. Boy Band? Absolutely no way! Adel Tawil was not a type for a boy band. nobility was but a rapper, real, authentic, uncompromising. nobility was still an underground artist and fOr something ridiculous like a boy band he had no time. But as it is in life, according to an offer nor an offer came and after a third still came a fourth supply and finally he looked at the whole thing.
Then came an offer from the variety, which you can not refuse - at least if one is seventeen and dreams to become famous and to be on a big stage.
Such offers are usually not very good, more specifically, they are even more poorly. Such offers are usually made by some crooks who know exactly what we need to promise a seventeen year old, so he takes the bait. Girls, glory and big money. While this seems very good to work with the girls and the fame initially, it does not work with the money.
at Adel Tawil and his group The Boyz on the one hand and the production company on the other hand, the roles were clearly distributed. The three managers drove sports cars in the colors black, red and gold, while the youth song and dance troupe was sent to slog through the pop world. nobility wrote with "One Minute" his first top ten hit and thus the most successful song of the group and followed city festivals with small stages, town festivals with big stages, electronic markets, signings, performances abroad thousands of people as in Spain and appearances in pedestrian areas. FOr the teenage stars it was the big wide world, for the management, it was a good deal. Perfect.
From this time, in this dark cave, in the one and alone has kept his future wife to him, is the song "Underwater", the Adel Tawil wrote for his new album. It is about how it is when nothing feels real, nothing more natural, nothing authentic. If everything you have known before, is broken and no one knows how to the next day survival. If you open your eyes and for a moment thinks that it was all a bad dream, only to then discover that it really still is one's own life. That's life, from which there is no escape. How good it is, still felt a hand, to have a real hand, a real man next to him, one holding, fields, comfort and stays with a. Just remain there if all other go and slowly up, slowly pulling back up to where you can breathe without oxygen mask to the surface, to the light.
Adel Tawil reappeared. He slowly worked his way back up and he never wanted in the foreground again. nobility had enough of deceptive glory of the spotlight, the wrong attention. Together with a friend he built from a studio.
Slowly he took again first musical steps, produced in the background, texts written for other artists, until one day Annette Humpe came in the studio and fired singer but could coaxing to again to come to the fore and again to try it yourself. The rest is history and it followed the meteoric rise with Ich + Ich, of the two musicians highest laurels and Best Merits earned.
In hindsight Adel Tawil the project Ich + Ich as great teachers for his own career, and as the event which brought him back again among the living.
"Ich + Ich freed me, "he explains candidly and admiration he speaks of the songwriter skills of his musical partner:" I have so much of Annette learned. I learned how to write songs. She showed me that the content always comes before the form and the text is the most important for a song. Her advice today is still incredibly important to me, and when she tells me that I should concentrate on my feeling, then I try and implement.
I'm still looking for the truth, the core of the story. Annette has shown me so much and I will be their forever grateful. "
In January 2012, played Ich + Ich their last concert and since then works Adel Tawil on his solo album. Despite its more than 17-year career, it is surprisingly his first album and like every newcomer he feels - as surprising - some uncertainty. He is nervous when he talks about his new album, which he had to the almost inevitable comparison Ich + Ich not so much afraid. Neither he feels committed to artificially lift it, nor will the new album be a mere copy of the successful recipe. tells lapidar nobility in this context, the history of Keith Richards, the critics accused that his solo album condemned by Rolling Stones would sound. Oh really? Surprise? Not really!
Despite everything is "Songs" be different than all the things you far from Adel Tawil knows or believes to know. What have so far only caught closest confidant, the darker side of his personality, his sadness but also his dreams, positive ideas, thoughts and feelings, wants nobility now share with a larger audience.
"The first thing their own, after many years. That's what I always wanted to achieve," he describes his work on the album and actually the disk sounded like a cross-section of nobility Life.
There is this wonderful song in which nobility describes the entire life based on artists and song lyrics that have shaped him. A life in songs and selected quotes are so artfully composed that it is actually a - results biography - his.
There is the reminiscent with its synth layers to the 80s, already mentioned track "Underwater", probably the bitterest and most hopeful simultaneously is what can bring an artist to paper.
The urban hip hop-heavy song "Graffiti Love" again describes a love, big, young and free, like a twenty meter high rooftop graffiti that can be read from the S-Bahn made on a house wall and meets with its immediacy to the heart. That the song while the sisters Humpe and Humpe is contributed, it is perhaps only a small, but still remarkable side note.
With "Cry" becomes nobility so personal that it does almost painful. Here the singer how rare an artist delivers his audience before. Weakness and feeling strikes strength without false pride.
Sido and Prinz Pi taxes for the song "Ash Fly" confidential findings at when it comes to destroying itself in the face of failure. The singer meets with the two hip hop icons on its origins and together they describe the conflict between hope and hopelessness. If the addiction is too strong, the use is also the only way out seems to be and even more mischief, people become destructive comet. On their "Ash Fly" drag a trail of destruction.
cuts again and again Adel Tawil but also upon major societal issues and presents his idea of another life, another cooperation. In the song "At home", he with the Orthodox Jewish reggae artist Matisyahu wrote describing both a world without nations and homelands, since we're only here at home, where our friends are.
No wonder, then, if Adel Tawil Nervous and excited is what people will say about his album sound modern, bass-heavy and urban than anything you have heard so far from him. But who does not jump is never fly and what pray tell has Adel Tawil, the man who has seen it all to lose? Nothing! And for this reason it is also time for his debut album. It's high time!
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