The roots of De-Phazz date back to the seventies and sixties. Because with the Black Music sound of the early Motown era, the boundaries of the Soul Jazz were staked, which provide the framework for Pit Baumgartner band project. Thus, De-Phazz could develop into one of the most successful formations at the interface between black Pop, DJ culture and cool jazz since its inception 1997th
"It's all a question of packaging," the reviewer of the Süddeutsche Zeitung said after a Munich concert of De-Phazz and continued: "Heidelberger trend-Nu-jazz musicians have understood the cues you have in the repertoire has to the narrow to balance the ridge along hipness: A little Drum Bass and Ambient something, a lot of soul and a pinch of improvisation are mixed in style Shaker for Prada compatible Adult Pop. this works because they zap with high expectations of their own perfection and a hint of irony by the representation of business habits. Fast is garnished with dance scenes that take Madonna as well as African Ethno-shows for a ride. "In fact, the secret of success lies in the right balance of musical ingredients that are selected from the diversity of soul swinging and grooving options.
And that already knew Mastermind Pit Baumgartner as he the first album "Gravity Detunized" his studio lineup De-Phazz brought out 1997th His idea was to create beyond the Smooth-and club-stereotypes a musical mix, which should bring together many of his favorite styles such as jazz, soul, Latin, dub, lounge and even a touch of pop. At that time people liked to talk about Easy listenig but De-Phazz should be more and Baumgartner managed to actually develop a unique sound, which initially quite still sounded unpolished and rough, with this time were in addition to the voices of Barbara Lahr, Susan Horn and Karl Frierson Otto Engelhardt's trombone, Adax DÖrsams and PG Gonzales guitar sounds. It was a core cast that should grow together over the years, with some changes to the band.
After the debut followed in 1998 "Godsdog" that already left its mark in the concert and nightlife with club hits like "The Mambo Craze" and "Jazz Music". De-Phazz was from No Name to tip and Universal decided to take them under contract. For the transitional period and the archives still "Plastic Love Memory", the real breakthrough but succeeded 2001 the band released the album "Death By Chocolate". The sound was now mature, the wonderfully discreet cover matched the relaxed spirit, guests like the "Tab Two" -Trompeter Joo Kraus provided additional hipness and the concerts were always full. De-Phazz had stepped out of the shadows of the DJ-growths and now presented itself as one of the trendy Acts of the German live scene.
And the band made it effortless to stay after the brilliant initial successes on the ball. As Baumgartner Remix specialist is profiled with other projects like the compilations "Verve Remixed" and "Morricone RMX", he also brought De-Phazz to success, which is not interrupted since. In 2003 appeared "Daily Lama" with ample soul echoes of the seventies, followed in spring 2005 "Natural Fake" as the current peak of the series. Because once managed Baumgartner to find a tonally balanced framework of sounds and styles, which combine with the Black-Music and Fun appeal of the band for this great lifestyle mix. Even that part of it to good music. You must fit the lives of their listeners and refining it with plenty of fun. As "Natural Fake" for example.
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