Erwin Schrott, one of the most amazing singers on the opera stage today is celebrated in Europe and America as one of the most exciting and charismatic artists of his generation. have particularly his compelling depictions of Don Giovanni and Leporello in Don Giovanni, and the title role of Le nozze di Figaro, triggered along with his dark, velvety and sensual bass-baritone a true furore with critics and audiences. He has since appeared at the most prestigious opera houses in the world, including La Scala, the Metropolitan Opera, the Vienna State Opera, the Royal Opera House Covent Garden, the Paris Opera, the Washington Opera, the Teatro Colon Buenos Aires, the Theatre Royale de la Monnaie, the Teatro Comunale Florence, the Los Angeles Opera and many others.
The in Montevideo, Uruguay, born in 1972, Erwin Schrott debuted 22-year officially in Montevideo as Roucher in Andrea Chénier. He was then invited to the Teatro Municipal in Santiago, where he first appeared in a number of leading roles, including as Timur in Turandot, Colline in La Bohème, Sparafucile and Ramfis in Aida.
In 1996 scrap a scholarship for Italy and debuted there shortly afterwards at the Teatro Regio Torino in Boris Godunov. 1998 saw a flash scrap international attention when he won the first prize in both the public and the jury at the international, Plácido Domingo Operalia Competition sponsored and organized. Notable debuts joined in rapid succession, and until 2000 he was already occurred at major international opera houses - in the Arena di Verona, the Vienna State Opera, the Met, the Washington Opera, the Paris Opera, the Teatro Comunale Florence, Nice and Hamburg - and had it sung in various operas, including Macbeth, Rigoletto, Don Giovanni, La Boheme, Turandot and L'elisir d'amore.
In the following years developed scrap the rollers on, in which he had already occurred, bringing greater variety to his repertoire with some more important debuts: in two Bellini roles, Rodolfo in La sonnambula in Rio de Janeiro and Giorgio in I Puritani for his debut at the Teatro Carlo Felice in Genoa; in a new production of Macbeth under Antonio Pappano in 2001 at the Théâtre de la Monnaie Brussels; 2002 as Colline at the Chicago Lyric Opera; as Banquo at the Royal Opera House Covent Garden; as Narbal the Maggio Musicale Fiorentino in the new production of Berlioz's opera Les Troyens under Zubin Mehta; as Mephistopheles in Faust, in Tchaikovsky's opera Eugene Onegin; as Escamillo in Carmen and in the games of the four villains in Les Contes d'Hoffmann. Scrap has also come to his concert performances Key works Added - Verdi's Requiem at the Teatro Real in Madrid and Rossini's Stabat Mater with the Israel Philharmonic Orchestra. In september 2003, scrap occurred at the Royal Opera House Covent Garden as Leporello in Don Giovanni under Antonio Pappano, where he was received with unanimous applause. His first appearance at La Scala was then performed as Pharaon in the new production of Rossini's Moïse et Pharaon conducted by Riccardo Muti. In spring 2003 he sang for the first time the title role of Don Giovanni in performances at the Washington Opera and, in 2004, his role debut as Figaro in Le nozze di Figaro.
Erwin Schrott is also a regular guest at the Vienna State Opera, in Los Angeles, at the Metropolitan Opera and at Covent Garden. The 2007/2008 season began with the title role in Le nozze di Figaro at the Met, where he was again praised by the critics and by the public for his witty and mischievous role Portrait. He will sing the same lot in Sevilla and perform the role of Pagano in I lombardi in Naples. this summer he will debut as Leporello in Don Giovanni at the Salzburg Festival. His engagements in future seasons include the title role in Don Giovanni at the Met, Le nozze di Figaro in Vienna and Escamillo (Carmen) at La Scala under Daniel Barenboim.
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