Gitte Hænning

Gitte Hænning

What you want

Perhaps there is such a thing as the greatest musical surprise of 2010. The new album by Gitte Hænning "Twelfth Night". It brings all the big hits of the versatile artist who for over 50 years, is now on the stage, sound and culturally in the Now Time. "Twelfth Night" is a work full of apparent contradictions, which fit together like a puzzle to an ingenious whole. "I have the album, Twelfth Night 'because it excluded from four new songs, the older Hits presented by me in completely new versions. There are only tracks that are live demanded by the public most, "says Gitte Hænning the concept of the album" just in May and June of the addition, I love the eponymous play by William Shakespeare and have in the play at the Ruhr Festival in the role stood fools on stage "the funny Cover photos by Jim Rakete -. This time exceptionally shot in color - show Gittes poetic attitude that is always seasoned with a dash of self-irony.

The fool I am

"I once said years ago in an interview that I consider myself as a clown," says Gitte their self-image. "I consider this role to be appropriate, since it allowed me more freedom of movement in the colorful palette of life. I see life as an expression of tragedy and comedy, nothing comes closer to reality. This is exactly what the clown expresses. It's liberated laughter, as well as the gentle melancholy that reflects the reality of existence. "" Twelfth Night "is like a mirror that statement. The album impressively proves how timeless Gittes songs that always appeal in its essence to the essentials. Whether humorous, ironic, strong or melancholy, it is - as the Americans say - always "the real thing".


About the ease in the Perfection

Gitte was always a seeker and had always a great qualitative guide in the head. With the music Gitte Hænning breakfast started. Already with eight years she performed with her father, the "Troubadour" Otto Haenning, to the stage, where she sang duets with him.

Gittes musical path always moving itself in a hitherto unresolved tension between commercial mainstream and experimental phases in high-quality jazz publications found expression and success of their passion out to the music. "Twelfth Night" is an album that manages to bring many facets Gittes under one roof and to give the work a special creative force. "There are contradictions and courageous decisions to go against the current, which ultimately lead to the development," the artist explains their musical credo. working together has Gitte Hænning in this album with the producer Roland Spremberg (Rosenstolz, A-HA u.v.m.) and Christian Lohr (Gianna Nannini, Joss Stone et al). As a basis for this production was a selection of the greatest hits of the artist. Together with Christian Lohr and Maya Singh Gitte wrote four new songs that have also been found on the album its place and the well-known songs in no way inferior, like a bridge feel the here and now.

I never want to be satisfied too early

"I did not want a little sauce," says Gitte winking their intention for their songs. And simple, inconsequential arrangements are not found on the album also far and wide. On the contrary, it has succeeded in the older songs to miss a modern yet sophisticated new musical coat sitting so good that even the older hits have really won again on appeal. An art that succeeds too rarely, however, has met here with the creative playfulness said exactly the finish. Good examples are the rock and country infected, humorous version of the classic "I want nen cowboy as a man" with his aufpeitschendem violin solo, atmospherically dense and applied in anachronistic pop sound "The woman who loves you", also of Gitte classic "I'm strong "has a very special profile, it stands alone and is supported primarily by Gittes expression - so sensitive and close one has this song never heard. Almost fragile this version of 2010. Specifically works the song "I want it all", which was produced by Roland Spremberg, illustrates Gittes wonderful irony and occupied the already mentioned clownish of Haenning.

Here we go again, I can fly again ...

"Here we go again, I can fly again ..." it says in one of the new songs "salt air". The song is something like the personal motto for the new songs on the album, "What do you want". A train travels through the wintry Coastline. Onomatopoeic the song creeps slowly into the ear, to leaven in the chorus the sun and release a lot of endorphin. Buzzwords like pure Life, Beginning or the romantic eternal journey travel through the thoughts. Then there is the singing Gittes, the whole sings in his emotional directness almost no effect by itself. This eternal journey of life takes "melancholic homeless" in the song's characterized by gentle melancholy sequel. "At home is deep inside me" it says, and it is in the logic of things that a creative artist who travels a lot, experienced the concept of home in this form. Metaphorically, the appeal of these words also lies in the eternal search for the home in itself self. The sophisticated text fits into a perfectly arranged and produced pop song. The song "Every farewell captures what to" stands for profundity. Wisdom and the glimmer of hope of ever glows. Groovy and optimistic teeters the song casually to himself and promises not too much, because in the end it says "who knows how long it may take." The substantive framework for "Twelfth Night" is the economically instrumented Chanson "Shakespeare summon". It describes the love and life as a stage on which we play our roles, tells the fools, "which tells us of happiness, of love power and money." Everything seems possible, even the impossible, until the curtain falls and the play ends in eternity.

What I want

The album's "Twelfth Night" combines many creative and artistic facets Gitte Haennings, is a mirror of her soul, her dreams of many talents and also their poetry. It is therefore also a music become "What I want" this great artist. This phonogram confirmed this credo in many ways. The virtuosity of the musician who can put in every note, every sound, creates ease and is ultimately what "we all want".

Gitte says: "I sing for people"!

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