Kraftklub

Kraftklub

Last year as well had astonishingly again after 365 days, but either go the watches in Chemnitz different - or Kraftklub have a deal with God. We tend to the latter assumption, because what the brothers Felix and Till Brummer as Karl Schumann, Steffen Israel and Max Marschk have provided and experienced since september 2014 the legs, heard reasonably distributed over at least three years.

One has to simply do it again clearly: Almost exactly twelve months appeared the second Kraftklub-album »In black"That went as well as the debut right away from zero to one in the charts. Since then Kraftklub selected national in 1LIVE crown for best band, took the In Black convoy throughout the country, won an Echo, brought the already third edition of the band's own festival cosmonaut across the stage, got gold for more than 100,000 copies sold by "In black«Awarded.

Above all, went Kraftklub on several tours during which they played numerous highly acclaimed concerts in clubs, halls and festivals of the Republic. And because such a Kraftklub-Concert passes in a blur of emotions pretty fast, there are now "rampage". Reminder for all who were there. As a consolation prize for those who had received no more cards - but mainly as a grandiose title and portrait of a unique band in picture and sound. The complete "rampage«-Set Consists of two tour documentation and a complete live concert from the Berlin Max-Schmeling-Halle of 06 March 2015, also appears»rampage"In a condensed mode as a live CD.

In particular, the documentaries are strongly recommended. The person familiar with the band's production team PeterDerWolf , previously extended by Beatsteaks, Sonic Youth and numerous other in use, had complete access to all areas of the tour life. With up to 21 cameras went Peter Domsch and his team for 28 days in the footsteps of Kraftklub, of the first sample in the Berlin Black Box Music Studios About the club tour to triumphant conclusion the big arenas.

Among others, two very different documentaries that the tour-life incurred in Kraftklub light from all angles. Especially the longer Doku is a real highlight for the fans. The Club tour is told in parallel from the band and from the fan perspective, in a brilliantly told mixture of sound bites, impressions from the cities, from the street, from the clubs. Domsch and his team accompany a couple who is representative of the many other fans who Kraftklub after traveling from concert to concert. The insight into the infrastructure of this most loyal of all fans are at least as interesting as the backstage scenes with the musicians. And so the story begins as the two fans pack the car and Felix Brummer will be picked up at his home and sleepily Think about whether he should take his laptop. So I alternate continues: The fans sleep in the car, but have the fancier apartment as Felix Brummer, taking in Nightliner place.

Kraftklub travel to Amsterdam, France, London, Czech Republic - and finally the grand finale in Chemnitzer Atomino, that club, the father of Till and Felix operates. Sweat dripping from the ceiling, everything goes into one another over, every song is intoned from hundreds of throats. Toll also the small and large routines before and after the performances: Felix Brummer go eat Everywhere attempts regional specialties. The Department allowed itself little pranks by even aware the curtain too late fall leaves and another time manipulated the setlist. In Leipzig solves the Kraftklub-suck appearance a small earthquake in, London, accurate Camden Kraftklub with every fiber of your body on. You remember the Heydays of indie rock and suddenly themselves again fans.

Who really wants to penetrate into the heart of the band, who wants to understand how Kraftklub tick and what motivates them who comes to "rampage" not over. The greatest merit of all three films is the fact that they start a congenial manner, the band chemistry. Nothing was glossed over, bent into shape or subsequently corrected. The advantage of long-term documentation is anyway that you eventually forget the presence of the cameras. That it was also so, one feels instinctively. Who Kraftklub knows, will confirm: So the real.

The camera work at the big concert in Berlin finally explodes the size of conventional concert film with expansive images that convey the same time enormous depth as warmth and intimacy. The camera seems to be everywhere at once, one feels, as would be in the front row, in the stands, backstage. Alternately So the show in the Schmeling-Halle is a magical moment: Wanda, Casper and KIZ deny cameos, Kraftklub act in absolute top form, the audience hyperventilating. »I do not want to go to BerlinOur fansShit Indie Disco"- Every song a hit, each row a slogan. And in the end all dancing half naked on the stage and there is champagne.

It was the best of all years!

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