Marianne Rosenberg

Marianne Rosenberg

Teeny Star and Bravo-Girl. The most successful German pop singer of the 70s. Icon of the gay movement. Squatter in high heels. Musical singer. TV presenter. Book author. Sintezza and activist. Jazz singer. Favorite of the feuilleton. Well-cult.

With their top 10 singles "Strange man", "It's not like you," Every path has come to an end "," He belongs to me "" Songs of the Night "and" Marleen "Marianne Rosenberg sang in the German Pop music of the 70s.

No one is so long in the German music scene present remained as. Whenever she has invented itself again and again - one was Marianne Rosenberg always: Berliner, like Marlene Dietrich.

It is debatable whether their music is pop or chanson or pop or the German version of the Philadelphia sound, the cuddly Souls of Barry White.

Rosenberg's autobiography "tosh" (2006, List Verlag, M√únchen) begins with a scene in which she sings a little girl in the middle of the night on a table in a Berlin pub. Her father wants it, out of longing for the voice of his mother, who used to sing at parties, whose songs he has Marianne taught. He called home. Her mother ordered a taxi which drives the five year olds through the night to the pub. "Sing, my girl."

Marianne takes it as the number tattooed on the arm of her father. At school she is insulted as "dirty gypsy". You want to be invisible in the poor conditions, adamantly holds the extended family, to the wall she tears apart in 1961.

1969 takes the fourteen participated in a talent contest, it is the start of their careers. Marianne Rosenberg wins and gets a record contract. The pop industry of the late 1960s she takes through the wringer. Marianne gets etiquette lessons and language classes, is on a diet, you have to walk around with a book on her head to keep entertainment.

In the Hansa studios at Potsdamer Platz (famous later sessions of David Bowie, Iggy Pop, Depeche Mode or U2), takes the insecure girl with dark eyes his first single "Mr Paul McCartney" - real Beatles fans may 1969 About the naive ditties just laugh.

As her career takes off, no one must know that it is Sintezza and the daughter of an Auschwitz survivor. No German music lovers to feel guilty by name Marianne Rosenberg. Her father, who later her manager, sharpens Marianne in to say that they come from Hungary, when journalists ask why they, and especially her father look so dark.

The heads of the record company determine her wardrobe and hairstyle, send them to hit and competitions to slog through sleazy nightclubs in provincial Germany.

Marianne Rosenberg enters the charts on, then sits on the edge of the stage in mini skirt and boots and observed the other. "The feeling of not belonging, runs through my life. I was always strange, "Rosenberg said in 2007 in an interview with the" time ".

1973 takes Rosenberg hit "Strange man" in "Strange man, look at me, you're to blame ...". Your producer "test" the unpublished song in a gay club, where he had a bomb strikes like. Marianne is the gay icon. An engagement in 1975 with Ilja Richter is hushed. The filmmaker Rosa von Praunheim turns in 1976 a short film about it.

30 year old men writing their fantasies in the songs that she sings, invent Marianne Rosenberg. Many of their songs from the compositional spring Joachim Heider with texts by Christian Heil Castle (aka Gregor Rottschalk) summon the shy girl that does not get the adored boy and sad: "love can be so hurt," "would be tears of gold", " No, I do not cry expectant "- a role that depends Rosenberg in the late 1970s to his neck out.

With 25 she had quarreled with the pop-stamp, Marianne Rosenberg said in 2008 in an interview with the "world". Today they do not regret anything. "I have all the nonsense I've sung believed. If anyone had the right to sing those lyrics, then this young woman who I was then. "

On their album "Was it yesterday?" Tried Rosenberg in 1977 to bring times lyrically otherwise. You are a man jilted, sings confidently about drug abuse or fear of flying. The album flopped.

Why did she later diverse Blondie cover in the repertoire? Why did later Rio Reiser written for you? Why she found in Mousse T soulmate their disco ideal? Because Marianne Rosenberg unwaveringly went their way, the German mainstream always one step ahead.

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