Prodigies who often struggle - even more so in modern rock music. You are your deeds heaped with praise, courted by the media and constantly reminded that they are special. this creates expectations that are extremely high, and often Superhuman and cause to lose such blessed not infrequently in eternal self-doubt, alcohol or drugs. Not as Muse: The brilliant trio from the tranquil southern England Devon knows about his power to write very special, absolutely unique rock music, and yet remains remarkably clear, tidy and airs free.
And, although it - to put it in a word - just keep getting better. Since then, four years ago they released their debut album "Showbiz", they are among the most important and unique exceptional figures in British rock music.
At that time, were singer / guitarist / keyboardist Matthew Bellamy, drummer Dominic Howard and bassist Chris Wolstenholme just 16, 17 years old. Lanky teenagers with pimples and an inherent RotznÄsigkeit as it is just typical of pubescent boys in their age. What distinguished them from peers, was to write their ability to rock music that so mature, independent and unpretentious sounds that you never behind such a young band would suspect. Since the age of twelve, the three had together made music, experiencing the grunge revolution in their children's rooms and "continuously worked to make us feel strong enough to enter the music scene", as Matthew said at the time. No wonder then that they are played from the state and directly with the first single Ever, the pleading sad "Uno", in the heart of the alternative rock fans and the top of the charts.
Two years later appeared the bulky, extremely sophisticated and incredibly versatile second album "Origin of Symmetry", it quickly became clear: Muse are no fluke. On the contrary - all this just the beginning seemed to be for a career that is unparalleled in British rock music. Meanwhile, they were big players in Europe, Asia and North America, with four ball distributed on the globe record contracts, toured with the Red Hot Chili Peppers, Foo Fighters or Jane's Addiction and media feedback, as only very few English rock musicians bestowed. Their concerts were furious trio lessons, magical feeling baths and uncompromising, crisp guitar rock descents in their singles sold like nothing, and even musicians such as REM's Michael Stipe could be carried away with statements like: "Idly I see the future of rock music , These guys are brilliant. "
Now after also famous last year's double-live album "Hullabaloo" they are raring to prove to the difficult third album, that with them not everything is maxed out in terms of creativity, intensity, dynamics and songwriting. The number of typical contrast of set to music hardness and sweet melancholy appears here perfected, there is disco beats, distorted bass, chanson set pieces, indescribably sad ballads, catchy choruses and massive beaters moshparts and orgiastic in almost every song Melancholie-, sound and songwriting increases. There are lost piano lines, confidential melodies, dreamy string arrangements and disturbing breaks. There is a stunning interplay between loud and quiet, love and hate, harmony and compromise. There are more than ever Muse.
It was recorded the new album mostly in, Grouse Lodge 'in Ireland over a period of two months, the final Feischliff got the album in April and May this year in the time-honored, Cello Studios' in Los Angeles. It was produced ausstaffierte intelligently to the last detail, incredibly multifaceted jewel of their desire producer Rich Costey who previously i.a. worked with Rage Against The Machine, Cave In, Audioslave and Fiona Apple. "There are all these different experiences that made him our desire man," says Matthew. "The music on the new album called for a professional who is familiar with both delicate piano music as well as massively oppressive rock Parts." Succeeded experiment patient rocks. And is so close to the ear of the listener, that their unconventional and uncompromisingly lived love for melancholy brushed hackles and more than just a tear in the eye conjures. "We wanted to reinvent ourselves to a certain extent, without being unfaithful to us," says Matthew Bellamy. "If we managed that?" Decide Themselves any case, we find:. Yes, absolutely. And much more than that.
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