Sido, the boy behind the mask. The bad example. The man who takes all the blame and all evils in this world is just. Sido the bully rapper who brutalized and they seduced to drug use and pornography our youth. The who throws expressions around and still goes to the election. Sido, the unpredictable. Sido, the anti-social elements. Sido, of the children's choirs and pop hooks. The one who is always looking for a message. Sido, the moralist and gooder, the warning voice and big brother. The one with the raised finger - is not the Sido the rapper? Sido the rap star? Sido the Star?
Since 1997 fights Sido Up in the music business. Starting with a shabby microphone between empty pizza boxes and rats in a Weddinger backyard all the way up to the top. Excellent with all the major trophies, provided with gold records and those of platinum. Unconditionally loved by his fans, he now produces successful TV shows, making a resounding album after another and ended up with blood brothers even a surprise success in German cinemas. A German Rapkarriere - a unique career!
But Sido is not finished yet. Although he repeatedly emphasizing in his lyrics that he wants to slowly retreat to his old age, more than coquetry these statements are still not. Then what Sido driving is more than just the appearance and reality in the music business. All the amenities and facilities, all the praise and Schultergeklopfe all the honors and flattery, they come and they go and no one knows that better than the man who started with a skull mask and was hated by all. Later they let him then cheers, but whether liked or not, what he is, what drives a what one can get up in the morning in order to make one song and another song that remains constantly the same, whether in times prosperity or in times of crises.
Deep inside, in the core of the Paul worthy, which all have to certify that from him anything anyway be would, in this core is something hidden that out has always and will get out. Let's call it genius. Let's call it art. Let's call it talent that has driven a boy from the East, who grew up in the refugee camp and in the Märkisches Viertel repeatedly. That it still drives also today still, this man who now has a home in the countryside, for the second time became a father recently. Talent that drives him repeatedly, cheering and incites to go with open eyes through the world and what it looks to transform into great songs. He did not have to. He could chill. He could lie down on the lawn in front of his house, the sun can shine on the belly or the ass and otherwise indulge with his wife and children the spit Experience.
He may have no song with Helge Schneider make, in which he established the West German trend towards ever more work and more work and even a little bit more work to poke fun and presents itself as a prototype of the total objection. A song that is likely to bring the FDP on the palm and has nothing to do with some morality. A statement against neoliberalism! As long as you paid us not fair, we stay at home. Basta.
He did not have to. He may have no song about a Sinti from Marzahn make hitting to subway stations with his guitar through life or at intersections with a Fensterputzset. He did not have to. Not in times when a Minister of the Interior publicly speaks out against poverty and immigration, it seems to have become popular again, to complain about the begging gypsies. Behind closed doors, of course - yet. Sido would not do that, he could forget all and ignore all together it its personal Sinti descent even fall could the crossfire of polemics. But Sido want. He wants to to Voice, because he has the feeling that he has something to say and that it is important, what he has to say. But above all, is important to him, whom he can say it, because instead of any political orators Sunday the teenagers listening still prefer the former masked man - which is now the "Sinti from Marzahn" not unlike in the days of "Arschficksongs".
And there it is again. The past, but to obtain, again, even if it is but become quite different. At least one would like it a lot even believe and you also want the world like to show that it has become a very different that one has become serious, with good manners and such. An adult male with self-control and discipline, eventually one has children, you have responsibility and want to be yet accessible. Somehow, but then ... then there are in between but always moments where you could disengage and those in which you then also do. Crank Just looking back, hit the big shit, whoop it up, scream around and swear, like before, when you were young, dirty and wild.
But then ... just when it is most beautiful, just when one has come really in motion, then you just suddenly stopped behind a small soft voice. gentle "Dad, what are you doing?" brings an abruptly back to reality and then you turn around and recognizes itself, recognizes itself through the eyes of their children and then all this is so embarrassing, terribly embarrassed. And also it tells Sido, by this terrible, bottomless embarrassment. Without fear leaves us Sido participate in his life, like no other. Why? Because he can. Because he has the correct size. Because it makes him nothing. Because the idea is good. Because he needs it just tell though it actually no longer takes.
Sido not write these songs would have, but he writes it. He makes it easy because it is Sido. He can not help.
BlutzbrÜdaz- The Mukke to film
From the gray slab of Märkisches Viertel in Berlin to Germany Entertainer # 1, with passion, iron will and unshakeable love for music. The history of Sido has been often told. From the media, who hated him. From the fans who love him. And by Sido itself, the most important German rappers of our time. Now she is finally immortalized in a movie: "Blutzbrüdaz" by top director Özgür Yildirim ( "Chico") comes this day in theaters, and in time for the film's release the soundtrack is on the gift table. "The music for the film" is much more than "the tunes for the film". It is a brand new album Sido!
"Blutzbrüdaz" tells the story of mates Otis (Sido) and Eddy (B-Tight), who work together to achieve their big dreams. "I'll rap superstar, sweeping! 'The gutter back / up to teachers remains nothing more than my fin press." The parallels to the real CV of the two gold-rappers are obvious. Likewise, the characters, which Otis and Eddy on their way from the curb face in the spotlight: the sleazy record company Hai, the scene veteran, the notorious Hustler next door. Those familiar with the history of the two former Aggro Berlin, and many will recognize much again. Much more than the German version of "8 Mile" but is "Blutzbrüdaz" universal trials friendship, ideals and morality - far from all clichés told by Özgür Yildirim, who already in his neighborhood drama "Chico" the perfect balance of humor , social criticism and street nearby found.
The music that Sido compiled for the soundtrack fits this like the proverbial fist in the face. In total FüNF tracks rap Sido and B-Tight, hungry as in the glorious early days of their band Everything is the sect - but with the experience and the technical skill of countless albums, performances, awards. Other old companions from the close friends have their say, including Tony D and Alpa Gun, which is also seen in the film.
Probably the most impressive track but provides Sido from all single-handedly. "Born to be free" is not only the first single from "Blutzbrüdaz". Above all, it is a manifesto Sidos unique personality. A hymn to freedom and the fact that one must never lose sight of his ideals in the pursuit of its objectives. Like no other artist of the past decade had Sido to fight in his career with prejudice; in regularity felt were projected all the problems of our society on him and finally unloaded. The talk bounced seemingly at it from, only to his mask, then at his gold chain, later on the certainty of having created something that is worth so much more than the hypocritical pat of journalists and politicians. In truth, the criticism has of course yet touched him. But he's always treated her in his own way, straight, nonconformist and with his usual deep abhorrence of wrong rules and authorities. "Born to be free" is now his final step out of the cage, more triumph than triumph flight.
Fits to the musical backing of the piece. First Ever was namely this item a sample of clay, stones, shards, the Band of Greater Rio Reiser, approved for use. "We have to get out of here" is the original 1972 appear on the legendary double LP "No power fOr Nobody". The Great Pop-revolutionaries of the seventies and the supposed scandal rapper noughties - the only completely senseless keep fOr a contradiction. The circumstances and the diction like each other over the years have changed, but the heart is Rio and Siggi spiritual brothers and "we need to get out" of the final accolade, the Sido basically already no longer needed would have been entitled. That shards-Guitarist R.P.S. Lanrue has fOr the recording of "Born to be free" even specially re-recorded his parts, saying, in addition its own language. A haunting song and another rebellious exclamation of one of the most important voices of our generation.
The remarkable thing about "Blutzbrüdaz" is the fact that Sido uses its many gilded and silvered thorough status as rap icon not only in order to extensively beweihrÄuchern himself. Rather, it provides the board some of the most talented rappers in Germany a prominent platform. So he shows together with Ruhr valley bully Favorite Uncle Sam the imaginary middle finger ( "Arbeitsamt"). On the side of the hamburger Laas Unlimited he granted to trance surfaces and Autotune effect a deep insight into the inner life of a born MCs ( "Life is an asshole"). With Aachen "New Kids on the Block" MoTrip he go deeply into the depths of everyday life ( "Deeper and deeper into the mud") - only to eventually fly with rounder Damion Davis gen sun. Also Offenbach Street Champ warrant is represented by a track, as US Raplegende Erick Sermon (EPMD, Def Squad), a declared by Sidos private hero.
This closes the circle. Unlike so many soundtrack albums is "Blutzbrüdaz - The Mukke the film" not an arbitrary collection of pieces and big names, but the perfect musical setting of the film concept. A unique insight into the microcosm of man Paul worthy and hip-hop fan Sido. And finally, a thick package of new music a truly exceptional artist.
"Born to be free" The Single: from 25.11.2011
The album "The BlutzbrÜdaz- Mukke to film": from 02.12.2011
The film "Blutzbrüdaz": from 29.12.2011- ONLY AT THE MOVIES!
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