To present themselves in times of attention economics as young band effectively, perhaps we need something more than communicative hyperactivity.
More - and simultaneously less.
Less Tinkle and chatter.
Less glitter, more content.
Meeting the not dry ending stream of news, pleasantries and trifles TÜSN with a conscious reduction. The three Berlin make himself scarce. Your network is a closely knit system of reference, a hermetic house of love without spy. TÜSN not speak much about yourself, the more others speak about them. That you should be right.
The band consists of Snoet, Tomas and Daniel. Their instruments are synthesizers, bass and drums. FOr the former guitarist Snoet is the instrumentation no decision against his old instrument basis, but the synthesizer and the discovery of new creative leeway offered an opportunity for further development as a band. In addition, today's analog synthesizer Fan went on one of these mythological travels into the interior, which can, at best, knows in the world literature. His formative, expressive and sometimes exalted song is the result of relentless experimentation with the own body tension. More it is not price.
In a mixture of innate shyness and almost classical safeguarding of distance it avoid TÜSN to explain generally, and their music in detail. When would they not star of a Hollywood era, in the Stars yet. Or of a Utopia in which art may still present in its full mystery. Such a thing is not, of course, no longer. But something more secret, a little more imagination, a little more space would certainly be for all - for artists, audience and media - a worthwhile experience. Whoever does a request that wants place in the music of TÜSN access to internal showroom. The music is screaming out to be used for their own purposes: Interpret please now!
"Get rich with me, full of me / VerglÜh me glaringly to the space disintegrates"
While their first single "black market"Even with the opening of" Speech is silver, dance is gold! "Oneselfrefereindeertiellen joke allows sending video to the cited song "constraint"Was much more ambivalent signals. Setting the scene of Zoran Bihac (Rammstein, Grönemeyer, The fantastic Four), The clip is dominated by the smoky images of a bizarre spectacle, half Bondage-performance, half (Ent) Fesselungs ritual - the stoic appearance of powerful and highly efficient aufspielenden rhythm section, fits with the drummer in the suit, is of Snoet as a type "Yellow King" thwarted. Here monstrous implies ... To quote just one of many blog: "We suggest large and dance with TÜsn to the depths of human existence."
TÜSN have to work on their first album "fault"Finished. With a" black market "and" forced "they pushed open the doors wide, with" guilt "they will catch the crop. If one were considering its first signs of life still wondering from where exotic nightmares the band was afflicted, clarified with the length of the album (and their performances) that TÜSN possessed only by a kind of demon can be:. to own your songs from it were real and legendary figures of history animates ( "Humboldt","Hannibal"), Conjure elemental forces of nature ("storm","water") And clamoring for even more drama (" ten thousand "," showers "), sometimes can be specifically specious words the dazzling nerves of her father guessed ("forever alone","You love me now"). In the end it opens into an imposing structure made of elegant toothed set pieces of a culture in which the secluded and exceeding find an honored place amidst all the glory. Genre-transcendence for the seeker, the lost, the others, for the breeding of night. there is much to discover, we are only at the beginning.
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